Algorithm of Colour, Reflection (2026)The print is part of the series of Algorithm of Colour, built from 100 atmospheric color layers derived from reanalysis data.
The work is based on a single coordinate and date: Mbale, Uganda, February 10, 1973, the date of public executions under Idi Amin's regime. Using Copernicus ERA5 atmospheric reanalysis data, with NASA MERRA-2 supporting validation of the method, the sky is modeled as it likely appeared at that time. The reconstruction is a model, not a record. It is an attempt to approach what the victims saw, and what all those present witnessed, the last shared sky above them.Learn More
I Wiiyi (2024) How do you represent victims of a regime, war, conflict, and other atrocities that we have witnessed in this world? How do numbers, often repeated in news headlines and historical reports, communicate the scale of human loss? Can they ever truly reflect the complexity of lived lives, or the silence left behind?Learn More Lubiri Mengo (2024) is an installation rooted in the psychic ruins of postcolonial trauma, state violence, and survival. Installed within the symbolic geography of Lubiri Mengo—the former palace of the King of Buganda—the work confronts a dark and largely undocumented chapter from Uganda’s past: the torture practices used during the regime of Idi Amin.
Tannhäuser (2022-2025)This exploratory installation investigates classical music theory's material and physical dimensions through the materiality, deconstruction, and reconstruction of the first act of Wagner’s Tannhäuser (1845).
A Conversation (2020) is a sculptural installation exploring the emotional terrain of memory, care, and anticipatory grief. It was created during a time when the artist’s mother was living with dementia and as the world was fractured by the isolating constraints of the COVID-19 pandemic. The work captures a moment of suspended dialogue between a mother and daughter.